Location: Palestine
Date: May 2015
Representative: Seif Eddine Jlassi, Project Coordinator
Objectives:
-To analyze the challenges faced by Ashtar Theater in defending minority rights.
-To gain insight into their performances.
-To discover the minority groups, they support.
Description:
Seif Eddine Jlassi visited the Ashtar Theater office in Ramallah and attended a festival organized by Ashtar. During the visit, they discussed various points, including the types of arts used to defend minority rights, the preparation and technical aspects of their performances, and the added value these performances bring to the community. They also addressed the challenges faced, particularly in terms of outreach. In addition, Seif Eddine Jlassi attended a performance in the Aghouar area, a disadvantaged region home to the targeted minority groups, and participated in a theater workshop with them. Discussions also explored potential partnerships, especially in street theater.
It is a dance presentation of the reality of workers in particular and the popular class in general during the nineteenth century in Tunisia, where at that time, on the breath of the MEZWED (Tunisian bagpipe), a dancing body language spread among the popular community, represented by the emergence of expressive forms indicating resistance, rebellion, sensuality, temptation ...
Part of Common Ground Festival An exhibition by Seif Eddine Jlassi & Moussa Al Nanna An immersive exhibition that recreates the experience of a refugee camp by incorporating objects and materials commonly found in these harsh, temporary spaces that many call their homes. Featuring a collection of intricate plastic works and drawings created by children living in refugee camps on the Syrian border in southern Lebanon. The drawings offer glimpses into the displaced visions of their new homeland after the war, and how they remember it through drawings that are simple in form, but profound in content.